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papisenior
IV- Missa Brevis -J. Haydn (et piano) Benedictus
papisenior
4:29 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 24 8 10 95%
Bass 19 32 3 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 24 8 10 95%
Bass 19 32 3 5 100%
Soprano Treble 18 0 5 8 44%
Treble 7 0 0 3 15%
Basse Bass 10 0 2 4 21%
Alto Treble 10 0 1 3 17%
Tenor Treble 8 0 0 3 17%
 
III Laudamus te - Vivaldi Gloria - Soprano 2
papisenior
4:11 Est. Play
Time
126 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
Soprano
I		 Treble 12 0 4 6 56%
Soprano
II		 Treble 11 0 3 7 53%
 
III Laudamus te - Vivaldi Gloria - Soprano 1
papisenior
4:56 Est. Play
Time
126 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
Soprano
I		 Treble 12 0 4 6 56%
Soprano
II		 Treble 11 0 3 7 53%
 
Music for the funeral of the Queen Mary- Tutti
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Alto dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Basse dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Soprano dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Ténor dominante
papisenior
5:34 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
III Laudamus te - Fa M - S2 dominante
papisenior
4:33 Est. Play
Time
126 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_3 Treble 28 42 9 5 97%
Bass 25 15 8 5 96%
Soprano
I		 Treble 12 0 4 6 56%
Soprano
II		 Treble 11 0 3 7 53%
 
Quién Fuera Como El Jazmín - Basse
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Alto
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Ténor
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%